During the invasion of Iraq in 2003, the College of Fine Arts at the University of Baghdad lost their entire library due to looters who set fire to the collection. More than 70,000 books were destroyed. Over thirteen years later, students at the college still have few remnants from which to study.
In 168:01, an installation of an austere white library serves as both a monument to the staggering cultural losses endured throughout Iraq’s history as well as a platform for its potential rebirth. Comprised of a series of white shelves filled with blank tomes, the library doubles as a system of exchange connecting its physical and virtual visitors to the College of Fine Arts in Iraq. Aimed at restoring its lost archives, 168:01 positions viewers as potential donors whose contributions fund or replace educational texts from a list compiled by faculty members. As the installation accrues donations, the white library replaces the blank tomes with books from the faculty wish list, becoming saturated with knowledge. Select donors receive the blank tomes in return for their contribution. At the end of the exhibition, all donated books are to be shipped to the College of Fine Arts, beginning the process of rebuilding.
Iraq has a long history of such cultural destruction. During the Islamic Golden Age in the 13th century, an invading Mongol army set fire to all the libraries of Baghdad, including the famed House of Wisdom, or Bayt al-Hikma. Legend describes the invaders throwing the Bayt al-Hikma’s entire library into the Tigris River to create a bridge of books for their army to cross. The pages bled ink into the river for seven days, at the end of which the books were drained of knowledge. 168:01 refers to the first moment when grief is transformed into a call to action, signaling the beginning of a struggle to move forward from the ashes of ruin.
Born in 1966, Najaf, Irag.
Lives and works in New York, the United States.